If Aldrovandi (1522–1605) is not a household name today, this is not an accident of history. Taxonomies seem to explain the world as it exists, whereas monsters, as we understood them, were supposed to be outside the realm of empirical observation. Yet monsters would seem to resist this, as they are amorphous, composite beings that somehow evade the restrictions by which the world of ordered appearances must abide. Weren’t taxonomies those modes of classification that whittle down the excesses of imagination in order to produce quantifiable objects of knowledge? And aren’t monsters, conversely, the unruly forms that emerge when imagination spills over the bounds of reason? To insert a living being into a taxonomic logic is to conceptually arrest the fluidity that animates life. Coming across this term, we wondered how monsters could possibly be subjected to taxonomical categorization. *YES all artists! It's time the miserable ones had a bit more colour in their life - Stuart wants to share the rainbow with them, he thinks they need it.The monsters and the monstrances in cinema are our own eyes.Ī few weeks before we started shooting, one of us asked the other: But what are we actually going to film? Our project had started a couple of months prior, sparked by a brief encounter with one phrase: “taxonomies of monsters.” This combination of words was attributed to a name neither of us knew: Ulisse Aldrovandi.
Clean up - wash with warm soapy water, don't let it dry on your brush.
#The medium monster pro#
Scents - what twisted mind makes bubblegum and parma-violet scented pro acrylic paint?.Compatibility with other acrylics & mediums - plays nicely with most mediums and acrylic paint brands.When dry, it's permanent so no heat setting needed. It will make it stiff, if you add water it might reduce the colour. Fabric - yes it sticks well to most fabrics.Coverage - one bottle approx 2.4 x 2.4 meters (varies depending on absorbency tested on gesso'd canvas).Airbrush / spray - dilute with 20 - 25% water.Air dry in approx 30 mins at 21 degrees centigrade, re-coat after 3 hours.POTION can be used on canvas, paper, wood, plaster, fabric, masonry and almost any non-slick, non-oily surface. In the usual open-source spirit, these paints have been designed to play perfectly with almost any other acrylic paint or medium that you might already be using. Meaning your work will stay brilliant and vibrant for centuries. Stuart has designed these paints to withstand the demands and challenges of today's contemporary painters.These are not student quality or craft quality paints, These super potent mixes are made to pack a punch on a variety of surfaces and stand the test of time. Unlike other commercial paint brands (mentioning no names) there's absolutely no scrimping on quantity or quality of ingredients here.
Stuart has also added a distinctive scent to each of his colour creations. POTION is made in small batches in a paint factory attached to Stuart's studio in England, These are extremely special paints that only use the very best pure acrylic resins, they're mega-saturated with the finest quality pigments in the world.
#The medium monster full#
For the first time his FULL RAINBOW palette is available to all artists*.
You can see the full range by clicking HERE.Īfter 15 years of making his own paints, Stuart Semple has been able to formulate and release a new breed of acrylic paint.
#The medium monster professional#
POTION is a range of top quality professional acrylic paints by Stuart Semple.
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